Another great result on Wednesday despite a relatively average display. I love Italy and have a great respect for AC Milan supporters who have always shown solid backing for their team whilst mixing well with United fans. Can't help but feel slightly deflated however, five years ago a victory at the San Siro would have felt amazing, but without wanting to appear spoilt the whole Champions League format now feels staid and repetitive. With the same teams, the same city's featuring every year much of the mystique and allure of European competition has been extinguished by overly long group stages and the dominance of top clubs. The premier European competition has created a gulf between the haves and have nots in domestic leagues and UEFA should focus more on spreading the financial rewards throughout European football.
Last night I watched three films because I'm a boring fuck and had nothing else to do whilst waiting for my washing. The Hughes brothers' Dead Presidents was an evocative portrayal of New York in the 60's and 70's highlighting the effects of the Vietnam War on black soldiers returning to their increasingly fraught neighborhoods. Ridley Scott's American Gangster clearly riffed off the themes explored in the movie, and Chris Tucker's performance as a syphilitic junkie was particularly intriguing. Think Rush Hour crossed with Boys in the Hood, with a sprinkling of Apocalypse Now.
Next up was The September Issue, a documentary charting the creation of Vogue Magazine's most important publication of the year, coming as it does in the wake of various fashion weeks heralding the transition of Summer to Winter. This was more a character study of the notorious editor Anna Wintour than a serious analysis of a magazine's inner workings, and in many ways it played well. Wintour herself was portrayed as a deceptively ironic version of her media self whilst her large band of sycophants and pretentious no-marks struggled valiantly to satisfy her starchy demands.
One telling line however, exposed the limitations of the entire project whilst also highlighting the narrowness of subject matter. Sienna Miller (who eventually featured on the subject's front cover) remarks on entering Vogue House: "This is like some kind of girlie heaven" and indeed, if you actually enjoy watching slightly nauseating women drinking Starbucks, folding dresses and getting angry with over hyped Italian photographers then you're either a twenty something female or two pennies short of an eight bob note. Ultimately The September Issue acts as a celebration of all things banal and petty, a fashionistas dream, in which a host of drama-queens and annoying feminists flit between a series of iconic cities, deluding themselves into believing the fantastical web of lies it is their job to spin.
Finally, and because I'm in Paris, it was La Haine. Perhaps the antithesis to The September Issue, this was the second time I had watched the hard hitting French snapshot of life in a Parisian 'hood.' Some of the scenes in the film continue to blow the mind, especially the aerial ride out of an estate window, over a courtyard and then soaring up towards the city skyline set to KRS-One remixed with Edith Piaf. Director Mathieu Kassovitz apparently used a hot air balloon to achieve this mesmerizing shot, which if true is an extremely cool method of moving between separate dimensions and environments.
Anyway, I'm acting in the film tomorrow so best be on my way, look forward to getting back on the blog once I'm home next weekend. Tootle pip...